“I first encountered Chris’ extraordinary art in 2018 in the Instagram posts of one of his collectors, who also happened to be following my channel. He remarked on our similarity of appreciation in forms (and even then dreamed of a collaboration). The core of my practice then was raku firing ceramics, a low-tech, fast and brutal process with the end result left very much to the whim of the kiln gods rather than the artist – in my early years much of my output was lost to thermal shock breakages in the final moments after firing. Raku, I thought, might be too far removed from Chris’ precise, controlled and tight-tolerance work to consider a combined artwork?
Early in 2020, as Chris was preparing for release of his ‘worry stone’ meld of metal and wood, and in mutual appreciation of each other’s work, we agreed an artswap. Chris sent me a prototype worry stone in exchange for one of my two-part, wheel-thrown raku-fired ‘squid’. By 2020 I had already branched out into slipcasting my ‘waveform’ sculptures in porcelain tile form, driven by the need economically to make identical pieces for tessellating wall arrays. So, when Chris posted an image of a small collection of ‘overrun’ machined exotic wood ‘jewels’ from his project, and I mused how they might look presented in a ceramic mount, Chris sent a dozen over to me in the UK to “have a play”!
My early experiments prompted Chris to offer to promote a possible collaborative edition, although he was still keen to see a prototype #4 of the ‘elytra’ that I’d first suggested. I set out to try to make these and to make the means to batch produce all four prototype themes should each/any garner enough interest for production? The modified oloids (Prototypes #1 & #2), with my primitive making methods, entailed so many hours of finessing that I elected to make them only for special commission. I am still investigating the technicalities of making the elytra in ceramic (developing a ‘slip injection process’ using plaster casts and kitchenalia) but present instead a divergence into pewter casting of the carved cuttlefish variant ‘elytra’ which I think works beautifully. I rediscovered cuttlefish casting in 2019 and was keen to incorporate it into my practice both in metal and ceramic. Lead-free Pewter is a pleasantly heavy (and easily cast) metal and it well defines the expressed laminae of carved cuttlefish in a sensuous, tactile form.“