Todays blog post is a very special one for me, (and not because I am 25 years late in learning how to create gif animations) It is special because after 12 years toiling away in the shop, I get to show off my 100th machined metal sculpture. Everyone likes big round numbers, so today I am inclined to celebrate (if only a little)
I have made other types of sculptures before this 100th piece of course (see the secret archive here), but this body of work has become much more than I had anticipated, fueling over a decades worth of ideas and leading to things I could not have conceived of when I began. Along the way, it has also managed to tap into many contemporary trends in the arts and maker culture alike.
Had I known what I was getting into back in 2003 when I sold my motorcycle to raise the funds to buy my first milling machine, I might not have been so hesitant to trade in my wheels for my art, it was one of the best decisions I have ever made (right next to dropping out of art school and marrying my wife).
With that first piece of machinery, I started drilling and cutting metal for what would be my very first machined sculpture. I fell in love with the process shortly there after and have been building on those early experiments ever since. So todays new work is a bit of a mile stone for me, one that represents the culmination of over 16,000 hours* of shop, time turning metal into equal parts art and swarf.
(I keep pretty detailed records it seems).
*16000 hour estimate is shop time only, it excludes; sketching and rendering, research, machine building projects, maintenance, going to the hardware store, thinking while staring into space, tea drinking, pretending to listen to what your friends are saying at a bar or party while turning geometry over in your head attempting to figure out how on earth you are going to build the thing you just came up with on the ride to said bar or party, and finally... sleep sculpting.
I have made other types of sculptures before this 100th piece of course (see the secret archive here), but this body of work has become much more than I had anticipated, fueling over a decades worth of ideas and leading to things I could not have conceived of when I began. Along the way, it has also managed to tap into many contemporary trends in the arts and maker culture alike.
Had I known what I was getting into back in 2003 when I sold my motorcycle to raise the funds to buy my first milling machine, I might not have been so hesitant to trade in my wheels for my art, it was one of the best decisions I have ever made (right next to dropping out of art school and marrying my wife).
With that first piece of machinery, I started drilling and cutting metal for what would be my very first machined sculpture. I fell in love with the process shortly there after and have been building on those early experiments ever since. So todays new work is a bit of a mile stone for me, one that represents the culmination of over 16,000 hours* of shop, time turning metal into equal parts art and swarf.
(I keep pretty detailed records it seems).
*16000 hour estimate is shop time only, it excludes; sketching and rendering, research, machine building projects, maintenance, going to the hardware store, thinking while staring into space, tea drinking, pretending to listen to what your friends are saying at a bar or party while turning geometry over in your head attempting to figure out how on earth you are going to build the thing you just came up with on the ride to said bar or party, and finally... sleep sculpting.
Anyhow, here it is, number 100, and I couldn't have hoped for a better piece to mark the occasion. This design is a direct descendant of a piece I made last year, sculpture DK 522. That earlier work contained within it a disk shaped component that I was rather taken with as a stand alone object. A few other people commented on it as well, expressing that it would have made a nice sculpture all by itself. I took that to mean there was still more there to be explored and set about rethinking that particular component of the piece.
Naturally that idea has evolved rather dramatically since that time. The first thing I did was to take the original disk shape and bend it inward into more of a cupped form, I kept the original spines that stuck out of it, but most everything else changed from there. As with all of my works, it took on a life of its own once lateral thinking kicked in.
Some shop footage of the disk shape being turned. I wanted this piece to be absolutely perfect, so I actually ended up making these disks twice. The first set came out technically ok, but I had accidentally cut them using an older version of the profile drawing I had created( a clerical error it seems), a problem created by working from multiple drafts. The result was that they were a bit thinner than I wanted the final shape to be, so I decided to remake them using the proper drawing. I am not yet sure what, if anything, I will do with the spare set.
Final Dimensions on this work are 17"x8"x7"
The blue prints for this one turned out wonderful as well, the web really does not do it much justice. Printed to scale, it will be 48" wide by 24" tall so much of the detail is lost. I am really looking forward to getting a full size version of this thing on the wall sometime very soon.
I want to invite all of you to visit the works page on my website. There you can view a newly complete and ordered chronology of my 100 works.
I have added some never before seen images of my three earliest experiments so that the set would be complete. It is great way to see how the sculptures (and my photography skills) have evolved over the last 12 years. Just click on an an image to open the slide show and happy scrolling.
There was a lot of eye candy in the shop while I was making this work. I found myself pulling out the camera quite a lot during the build, so I got a some great process photos and videos this time around.
The inner detail of the piece is more of the high polish stainless I have been adding to my works lately.
I got a little carried away making these looping gifs, but I was having fun.
One more shot from above to round out the set.
Another great process shot.
Also, in case you missed it, I completed my expanded edition of small works. I posted just the first two I had made last month, so this is a bit of an update.
People were really excited about these so I just kept making them until I reached 10 of them(I think that is a good number for an edition). They are each made of different combinations of materials. Although it is a little hard to tell the brass and bronze ones apart, they are each unique.
As always, comments are welcome.