Web redirect

New work, news and Images from the shop. If you would like to know more about my art, please visit my full website @ www.chrisbathgate.com

8/1/16

BB TG QR Triptych

Metal, Sculpture, Triptych, digital fabrication, CNC, Design, machine art, metal sculpture,

 Hello again everyone. Today I have three colorful additions to my portfolio I'd like to share with all of you.

A bit of a long write up this time, I am allowing myself the luxury of a ramble as this is my space, but feel free to just look at the pictures if that is what you came for. 

Machining, CNC, CADCAM, machine art, CNC art, Metal art, Metal sculpture 

This tryptic has its origins in two distinct interests of mine.

On the technical side, I had been working for a while to design geometric elements that work in a modular way to create multiple compositions. After many attempts, I hit on something that seemed to have promise.

Aesthetically, I have been looking for influences from various machinist craft traditions. I have been researching an array of online groups and forums to see how others approach my medium to see if I could build on some of the common visual languages present in our shared work.


Machined, metal, sculpture, anodized, sculpture, green, art, industrial design,

 Engineering a single element that could be assembled in multiple ways has been something I have been chasing for several years. Although these compositions seem relatively straight forward, finding a geometric form that worked structurally without out negatively impacting the visual composition took a lot of careful planning. 

Machined metal sculpture, industrial art, cnc machined sculpture, machine art

Coming up with a clamping system that would translate across the three works as well was also a challenge.

CAD, CADCAM, Schematic, Blueprint art, drawing, technical digram art, technical drawing, Autocad,

As I said, the main compositional element for this work is geometrically the same in all three works with the exception of the applied color pallet and the angle of the T slot that is cut through each of them. This slot is shifted for each work to accommodate the varying angles of intersection for the elements from sculpture to sculpture.

Metal art, cnc art, metal sculpture, Bronze aluminum art, powder coating

Aesthetically, I decided to try something just a little different.

I have been thinking a lot lately about how various vocations and craft traditions find their way into the arts. Being self-trained as a machinist, I have often looked for other sculptors who work like I do. Admittedly I have not found very many contemporaries.

white powder coating and green anodized sculpture, cnc art, metal sculpture

From an arts perspective, machining has been a bit of a holdout in terms of sculptors and artist putting machine tools to use in formalistic explorations like happened with the advent of other historical technologies such as ceramics, photography, glasswork and so forth. Some of this is likely due to equipment cost and the skills gap in getting started, but this probably is not the whole story.

red anodizing, metal art, metal sculpture, geometric art, machining, CNC art

It is evident that it is not very economical to put together a machine shop full of production equipment simply to make “one of a kind” pieces of experimental art, but making work that may not be commercially viable has not stopped artist before. Machine work is over 100 years old, so then where are the other machinist sculptors? Where are the David Smith's of machine work?

I have found a few examples here and there, but In my quest for sculptural peers, I have mostly stumbled upon a multitude of machinist communities that each occupy their own little niche outside of the arts. They are groups who share my appreciation for the beauty in engineering and machining objects, but don’t necessarily express it in terms of the pursuit of sculpture.

I have found groups of artisan knife makers (see here), non precious metal ring makers (here), gun modification enthusiasts, Spinning top enthusiasts (see here), makers of tactical gear, key chains, bottle openers, and too many others to list. They each work on an array of utilitarian objects that function as their canvas and they diligently mix machine craft with aesthetics in a very considered way. These makers occupy a space between industrial commodities and what resembles more traditional fine art crafts.


CADCAD, Autocad drawing, technical drawing, digital art, digital schematic, diagram

It is far more nuanced than I can do it justice, and the origins of many of the craftsmen I have found may be far more interesting than my own story, but it has been my observation that those who practice creative machine work themselves, tend to gravitate toward objects with known and viable markets or represent an augmentation of other long running traditions such as blade making.

Machined metal sculpture

I could go on about any one of them all day, but the important part is that they are inspiring to me as an artist, and I wonder what, if anything is stopping some of them from pursuing sculpture as I have come to know it. Am I missing something fundamental about my relationship with my craft? Is utility inextricably tied up into doing this kind of work? I must admit I am not sure, but these are some of the themes I visit as I continue to dig into the aesthetics of what it means to be a machinist.

Machined metal sculpture, CNC art

So while I am not particularly interested in joining or becoming a practitioner in any one of these wonderful communities, that does not mean there is not room for dialogue. I have a great appreciation for the work they do, and as a whole they represent a creative community with a visual language that I share. In some ways, it is the closest thing to a peer group that I have found, because while I still have much in common with more traditional sculptors, it can be difficult to talk nuts and bolts when what you do is so technically daunting to those who are unfamiliar.

CNC art, Metal sculpture,


I also think that machining as a more recognizable fine art form is on the horizon. The Maker Movement has increased the visibility of digital fabrication technologies, and to me, these machinist groups look a lot like fine wood turning communities or ceramics communities. It is my hope that more of these machinists will turn toward making purely aesthetic sculptures and machined works in metal.


Since I personally don't draw much of a distinction between what is craft and what is art to begin with, I thought it interesting to try and start a visual dialogue with some of these other makers. I want to see if I can synthesize visual elements from other machinist who have turned there talents to making stylized, if not expressly artistic, objects of their own. 

Sculpture

So, to say it in a short way, I have been captivated by some of these makers and have struck up correspondence with many of them to trade stories and talk shop. I have found that they are expressing a similar instinct to employ machine tools for an aesthetic purpose with sensitivity to what the tools do best, and are working to create a visual language around that within their area of expertise.


From those conversations and just looking at a range of work, I have attempted to design something that spoke to some of the line work, color and design queues I have been picking up from some of my fellow Makers. This triptych is the first installment in that visual conversation.

Sculpture

Build Notes: The green anodizing is a new addition to my shop, I found some of my fellow craftsmen go to much greater lengths than I do to apply patinas and other colorings to there work. Color seems to be an end in itself with some of them.


Each of the three work is just about 12 inches tall with a little variability between them. the base is 5" Diameter with varying widths from work to work. 

Sculpture

At first glance some might think this is black and red, but it is actually a deep, nearly black blue. 


Thought I would include this image to illustrate the tedious iterative process that lead me to my final design. I counted and I have at least 35 different drawings of various versions of this work. This is a collection of some of them. 



Lastly, some postcards from the build. I scrapped 3 parts along the way as well as made one extra as a spare to ensure I could successfully put together all three pieces with flawless parts. Anyway, it was quite a journey. 

As always, questions and comments are welcome.

8 comments:

  1. I absolutely love these! always wanted to see your stuff have more movement/flexibility. do you know if you're going to make any of the blueprints or photos available as prints?

    ReplyDelete
    Replies
    1. Thanks Kit
      I am planning on printing the technical drawings so shoot me an email if you like and I can give you some info. cbathgate@gmail.com

      Delete
  2. One, this is wonderful to see. I appreciate it on a variety of levels, and I know there are many I have yet to grasp. I do enjoy your work.

    Two, nice shout out to Rich Stadler at BilletSpin. I am a fan of his efforts, too.

    Keep it up. I hope the show is doing great.
    Best,
    K

    ReplyDelete
  3. Love your work and craftsmanship. Also really enjoy your thoughtful commentary on process and philosophy of ideas behind your work. My initial thought to your question of why machinist end up pursuing more utilitarian craft is mostly because theres more money to make a living on there. I've had a foot in both the fine art sculpture world and the jewelry world over the years, and I know its much harder to sell sculpture. From what I've seen of your story you've somehow figured out how to make a living with it, which to me is just as impressive as all your other skills...

    ReplyDelete
  4. These are amazing, and I really enjoyed hearing the thought process, and seeing the exploded views of the parts that went into it. Very cool :)

    ReplyDelete
  5. This is amazing! Very technical yet simple.

    ReplyDelete
  6. This is amazing! Very technical yet simple.

    ReplyDelete
  7. Hi Christopher,

    My name is Anuj Agarwal. I'm Founder of Feedspot.

    I would like to personally congratulate you as your My Sculpture Blog has been selected by our panelist as one of the Top 50 Sculpture Blogs on the web.

    http://blog.feedspot.com/sculpture_blogs/

    I personally give you a high-five and want to thank you for your contribution to this world. This is the most comprehensive list of Top 50 Sculpture Blogs on the internet and I’m honored to have you as part of this!

    Also, you have the honor of displaying the badge on your blog.

    Best,
    Anuj

    ReplyDelete