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 Happy New year. Those of you who have been following along will notice that I have been undertaking a series of smaller works lately. This one is my first fo the new year so I feel things are off to a good start.

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Final post of the year to introduce my latest series of small works.

I have been sporadical making these small editions over the last few years. This set is my sixth and rather than making them all the exactly same as I usually do, I decided to go with different colors for each as a sort of color experiment.

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After a long summer of making some experimentally large and ambitious projects, I have been feeling like it is time to look back and reflect on what I have learned from those very time consuming and resource intensive pieces and make some smaller more subtle works.... at least for a little while anyway. 

December exhibition and New work

New Work, New Show..

Introducing my newest sculptural experiment. This piece, along with a number of my other more recent works, will be on display at the Ranter Museum this December in the D.C. Area. Details below.

The Dennis and Phillip Ratner Museum

Show Dates: November 29th-December 30 

Reception is Sunday December 2nd from 1:30- 3:30

Gallery Location: 10001 Old Georgetown Road

Bethesda, MD 20814

301 897-1518

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For this months entry, I want to start out by thanking everyone who came to the opening at the BMA earlier this month. The official head count from the Museum was 781 people, which for an art opening, is an incredible reception. I hope a good time was had by all who attended.

Above is my first attempt at incorporating black into my palette. It would seem easy enough, but this one little change forced me to approach the work quite a bit differently and led to a number of atypical design decisions. One of the more practical effects of this was to force me to shoot against a white background instead of my traditional black back drop. I am still mentally adjusting to this new look, so let me know if you think it is an improvement or not.

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Another large work completed just in time to be unveiled at a major show I am participating in at the Baltimore Museum of Art next month, the details of which are below. The overall dimensions of this piece are 64.5"x67"x10.5"

The Show: Baker Artist Awards 2012 September 5, 2012 - October 7, 2012

@The Baltimore Museum of Art, 10 Art Museum Drive, Baltimore, MD 21218, 443-573-1700

www.artbma.org

The reception is on Friday, September 7, 2012, from 6:30 to 10:00pm. Smooth Kentucky and Nathan Bell will perform in the auditorium at 7:00. The auditorium only holds 363 people, so if you want to see them, you should get there on time. After they perform, the galleries will be open.

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Just completed another piece in what is becoming my Blue and Orange series. 

This is kind of the culmination of my earlier experiment with the Hexaptych using these sort of ribbed spherical shapes. But using anodizing to much greater effect.

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     When I started this Sculpture, it was in the waning days of February, when it was still cold outside, Now that it is the middle of April and 80 degree days are already a regular occurrence, it sure feels like it has been a lot longer than the 8 or so weeks it took me to complete this very ambitious project. But it turned out better than my wildest expectations and I am relieved I finally get a chance to share the work that I have been eating, sleeping, and breathing for so long.

     The drawing for this one turned out wonderful as well, although at over 3 feet tall and 6.5 feet wide when printed to scale, Its a little hard to view online. Most likely I will be printing them at 24"x 52" for now. But if anyone is interested in a full scale version, I might do a very limited full size printing run.

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February's work

This month, I thought I would try my hand at making a triangular or tetrahedron composition, this simple enough idea proved to be challenging in ways I had not expected. I must admit I didn't even consider this at first, but triangles are a very loaded shape. They are used in more symbols and icons than is possible to count, so when I started doing drawings for this piece I quickly realized how difficult it was going to be to make something that did not unintentionally allude to or reference some other easily recognizable symbol or design.

Once, I settled on a design, and began working, I ran into further trouble when I was doing some secondary operations and the work slipped out of the chuck and tore a chunk out of one of the points on the main body. Above you can see where I had machined off the damage on the top point, which was not part of the original design. I was not quite sure how to approach a repair or redesign, so, discouraged I decided to set the piece aside and work on other things while I thought over how to proceed.

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First work of 2012. 1 of only 3 wall mounted works I have ever made. I had the idea for the center structure of this a while back, the rest of it didn't show up inside my head until a few weeks ago.